{"id":7141,"date":"2022-07-14T13:38:45","date_gmt":"2022-07-14T11:38:45","guid":{"rendered":"http:\/\/congopubonline.com\/?p=7141"},"modified":"2022-07-14T13:38:55","modified_gmt":"2022-07-14T11:38:55","slug":"quand-beyonce-et-drake-remettent-la-house-music-au-centre-du-dance-floor","status":"publish","type":"post","link":"https:\/\/congopubonline.com\/?p=7141","title":{"rendered":"Quand Beyonc\u00e9 et Drake remettent la house music au centre du dance-floor"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Ils redonnent des couleurs \u00e0 la house music : Beyonc\u00e9, avec le premier single de son nouvel album attendu fin juillet, mais aussi le rappeur canadien Drake sur son dernier disque. Un hommage pas toujours bien compris aux pionniers afro-am\u00e9ricains de ce genre musical.<\/strong><\/p>\n\n\n\n

Exit le rap et le R’n’B : sur leurs derni\u00e8res sorties, Drake et Beyonc\u00e9, en qu\u00eate de renouvellement, s’inspirent de la house music, style en vogue sur le dance-floor dans les ann\u00e9es 1990. Le Canadien a tir\u00e9 le premier avec l’album Honestly, Nevermind<\/em> le 17 juin, pr\u00e9c\u00e9dant de quatre jours Break my soul, single de l’Am\u00e9ricaine<\/a>. 

\u00ab\u00a0Je suis un peu sid\u00e9r\u00e9 : qui avait vu venir \u00e7a ?<\/em>\u00ab\u00a0, commente David Blot, journaliste fran\u00e7ais et organisateur dans les ann\u00e9es 90 des fameuses soir\u00e9es house Respect,<\/em> export\u00e9es de Paris \u00e0 New York. \u00ab\u00a0Drake avec <\/em>Passionfruit (2017) touchait un peu \u00e0 la house mais, l\u00e0, c’est choquant, dans le bon sens du terme. Et, Beyonc\u00e9, c’est carr\u00e9ment dance, m\u00eame si <\/em>Formation (2016) avait d\u00e9j\u00e0 des couleurs un peu house<\/em>\u00ab\u00a0, poursuit le co-auteur du roman graphique Le chant de la machine<\/em>, d\u00e9di\u00e9 \u00e0 l’histoire de la house.

<\/p>\n\n\n\n

Des critiques erron\u00e9es<\/strong><\/p>\n\n\n\n

Les deux stars sont bien plac\u00e9es dans les charts, en d\u00e9pit d’un accueil parfois difficile. Car certains, par ignorance, n’ont pas per\u00e7u dans ce geste l’hommage aux pionniers afro-am\u00e9ricains oubli\u00e9s de ce courant musical. Drake fut ainsi cibl\u00e9 sur les r\u00e9seaux sociaux, sur fond de suppos\u00e9e trahison envers la communaut\u00e9 afro-am\u00e9ricaine (dont son p\u00e8re est issu). A l’image de ce tweet: \u00ab\u00a0Qu’est-ce que c’est que cet album pour blancs de Drake ? C’est pour les clubs d’EDM<\/em>\u00ab\u00a0.

L’EDM, \u00ab\u00a0Electronic dance music\u00a0\u00bb, est une expression qui ramasse la musique \u00e9lectro la plus commerciale. Dans les ann\u00e9es 1990, Ace of Base, groupe su\u00e9dois \u00e0 hits, \u00e9tait un des symboles de ce qu’on nomme aussi l’Eurodance, excroissance de la house.

Mais Questlove, batteur am\u00e9ricain de The Roots, v\u00e9ritable bible musicale, a recentr\u00e9 le d\u00e9bat sur ses r\u00e9seaux sociaux, partant \u00e0 la rescousse de \u00ab\u00a0D&B\u00a0\u00bb, soit Drake et Beyonc\u00e9. Le musicien y d\u00e9nonce d’abord un \u00ab\u00a0d\u00e9dain<\/em>\u00a0\u00bb envers l’importance de la culture noire dans l’\u00e9lectro. Et se dit heureux \u00ab\u00a0que D&B m\u00e8nent la charge<\/em>\u00ab\u00a0. Car la house music a \u00e9t\u00e9 invent\u00e9e par des DJ-producteurs afro-am\u00e9ricains.<\/p>\n\n\n\n

\u00ab\u00a0Je suis un peu sid\u00e9r\u00e9 : qui avait vu venir \u00e7a ?\u00a0\u00bb, commente David Blot, journaliste fran\u00e7ais et organisateur dans les ann\u00e9es 90 des fameuses soir\u00e9es house Respect, export\u00e9es de Paris \u00e0 New York. \u00ab\u00a0Drake avec Passionfruit (2017) touchait un peu \u00e0 la house mais, l\u00e0, c’est choquant, dans le bon sens du terme. Et, Beyonc\u00e9, c’est carr\u00e9ment dance, m\u00eame si Formation (2016) avait d\u00e9j\u00e0 des couleurs un peu house\u00a0\u00bb, poursuit le co-auteur du roman graphique Le chant de la machine, d\u00e9di\u00e9 \u00e0 l’histoire de la house.<\/p>\n\n\n\n

Les deux stars sont bien plac\u00e9es dans les charts, en d\u00e9pit d’un accueil parfois difficile. Car certains, par ignorance, n’ont pas per\u00e7u dans ce geste l’hommage aux pionniers afro-am\u00e9ricains oubli\u00e9s de ce courant musical. Drake fut ainsi cibl\u00e9 sur les r\u00e9seaux sociaux, sur fond de suppos\u00e9e trahison envers la communaut\u00e9 afro-am\u00e9ricaine (dont son p\u00e8re est issu). A l’image de ce tweet: \u00ab\u00a0Qu’est-ce que c’est que cet album pour blancs de Drake ? C’est pour les clubs d’EDM\u00a0\u00bb.<\/p>\n\n\n\n

L’EDM, \u00ab\u00a0Electronic dance music\u00a0\u00bb, est une expression qui ramasse la musique \u00e9lectro la plus commerciale. Dans les ann\u00e9es 1990, Ace of Base, groupe su\u00e9dois \u00e0 hits, \u00e9tait un des symboles de ce qu’on nomme aussi l’Eurodance, excroissance de la house.<\/p>\n\n\n\n

Mais Questlove, batteur am\u00e9ricain de The Roots, v\u00e9ritable bible musicale, a recentr\u00e9 le d\u00e9bat sur ses r\u00e9seaux sociaux, partant \u00e0 la rescousse de \u00ab\u00a0D&B\u00a0\u00bb, soit Drake et Beyonc\u00e9. Le musicien y d\u00e9nonce d’abord un \u00ab\u00a0d\u00e9dain\u00a0\u00bb envers l’importance de la culture noire dans l’\u00e9lectro. Et se dit heureux \u00ab\u00a0que D&B m\u00e8nent la charge\u00a0\u00bb. Car la house music a \u00e9t\u00e9 invent\u00e9e par des DJ-producteurs afro-am\u00e9ricains.<\/p>\n\n\n\n

Elle est n\u00e9e pr\u00e9cis\u00e9ment \u00e0 Chicago dans les ann\u00e9es 1980, au club The Warehouse o\u00f9 officiait Frankie Knuckles, DJ-producteur afro-am\u00e9ricain d\u00e9c\u00e9d\u00e9 en 2014. L’anecdote est c\u00e9l\u00e8bre. Un jour, Knuckles voit sur la devanture d’un bar : \u00ab\u00a0Ici on joue de la house music\u00a0\u00bb. Il demande \u00e0 la personne qui l’accompagne ce que \u00e7a signifie : \u00ab\u00a0C’est la musique que tu joues au Warehouse, Frankie !\u00a0\u00bb A l’\u00e9poque, les habitu\u00e9s du club se donnaient rendez-vous \u00e0 la \u00ab\u00a0House\u00a0\u00bb, diminutif du Warehouse. Knuckles disait modestement : \u00ab\u00a0Les gens ne voulaient plus de disco, on leur a donn\u00e9 une autre musique\u00a0\u00bb.<\/p>\n\n\n\n

Knuckles, un nom tomb\u00e9 dans l’oubli aux Etats-Unis, comme ceux d’autres de ses pairs, Ron Hardy, Marshall Jefferson (et son fameux The House Music Anthem Move Your Body, ci-dessus) ou Larry Heard alias Mr Fingers (ci-dessous). \u00ab\u00a0Aux USA, cette musique est rest\u00e9e longtemps dans l’indiff\u00e9rence, sans doute \u00e0 cause des liens avec les communaut\u00e9s noire, latino, gay des sc\u00e8nes de New York, Chicago ou Detroit (techno, pour cette ville)\u00a0\u00bb, compl\u00e8te David Blot, voix de la station Radio Nova en France.<\/p>\n\n\n\n

Dans Break my soul, Beyonc\u00e9 sample un standard de dance music des ann\u00e9es 90, Show me Love de Robin S. De quoi se demander si le futur album de Queen B, Renaissance, annonc\u00e9 pour le 29 juillet, sera enti\u00e8rement house.<\/p>\n\n\n\n

L’album sonnera en tout cas tr\u00e8s club, selon les indices de Vogue, seul m\u00e9dia \u00e0 avoir eu le privil\u00e8ge d’\u00e9couter le disque chez la chanteuse. Pour la s\u00e9ance photo, elle voulait \u00e9voquer \u00ab\u00a0la sc\u00e8ne garage des ann\u00e9es 90\u00a0\u00bb et les \u00ab\u00a0exc\u00e8s des ann\u00e9es 80\u00a0\u00bb, selon le magazine. La garage house est une branche musicale qui renvoie au Paradise Garage, club mythique de New York des ann\u00e9es 70\/80 o\u00f9 officiait Larry Levan (d\u00e9c\u00e9d\u00e9 en 1992), DJ afro-am\u00e9ricain, mentor de Knuckles.<\/p>\n\n\n\n

Francetvinfo via <\/strong>CONGO PUB online<\/em><\/strong><\/strong><\/p>\n

<\/span> 406<\/span> Vues<\/span><\/div>","protected":false},"excerpt":{"rendered":"

Ils redonnent des couleurs \u00e0 la house music : Beyonc\u00e9, avec le premier single de son nouvel album attendu fin juillet, mais aussi le rappeur canadien Drake sur son dernier disque. Un hommage…<\/p>\n","protected":false},"author":1,"featured_media":7142,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"content-type":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[55],"tags":[],"class_list":["post-7141","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bimber-musique"],"yoast_head":"\nQuand Beyonc\u00e9 et Drake remettent la house music au centre du dance-floor - Congo Pub Online<\/title>\n<meta name=\"description\" content=\"Quand Beyonc\u00e9 et Drake remettent la house music au centre du dance-floor\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/congopubonline.com\/?p=7141\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Quand Beyonc\u00e9 et Drake remettent la house music au centre du dance-floor\" \/>\n<meta property=\"og:description\" content=\"Quand Beyonc\u00e9 et Drake remettent la house music au centre du dance-floor\" \/>\n<meta property=\"og:url\" content=\"https:\/\/congopubonline.com\/?p=7141\" \/>\n<meta property=\"og:site_name\" content=\"Congo Pub Online\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/web.facebook.com\/Congopubonline\" \/>\n<meta property=\"article:published_time\" content=\"2022-07-14T11:38:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-07-14T11:38:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/congopubonline.com\/wp-content\/uploads\/2022\/07\/Beyonce.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"752\" \/>\n\t<meta property=\"og:image:height\" content=\"423\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"admin9775\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@CONGOPUBOnline\" \/>\n<meta name=\"twitter:site\" content=\"@CONGOPUBOnline\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin9775\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/congopubonline.com\\\/?p=7141#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/congopubonline.com\\\/?p=7141\"},\"author\":{\"name\":\"admin9775\",\"@id\":\"https:\\\/\\\/congopubonline.com\\\/#\\\/schema\\\/person\\\/d2f3a940be2e9c1a0e4f8831e203f3cc\"},\"headline\":\"Quand Beyonc\u00e9 et Drake remettent la house music au centre du dance-floor\",\"datePublished\":\"2022-07-14T11:38:45+00:00\",\"dateModified\":\"2022-07-14T11:38:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/congopubonline.com\\\/?p=7141\"},\"wordCount\":1066,\"publisher\":{\"@id\":\"https:\\\/\\\/congopubonline.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/congopubonline.com\\\/?p=7141#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/congopubonline.com\\\/wp-content\\\/uploads\\\/2022\\\/07\\\/Beyonce.jpg\",\"articleSection\":[\"Musique & Culture\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/congopubonline.com\\\/?p=7141\",\"url\":\"https:\\\/\\\/congopubonline.com\\\/?p=7141\",\"name\":\"Quand Beyonc\u00e9 et Drake remettent la house music au centre du dance-floor - 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